Back to basics - food and stitch

Time to make cheese and prepare bread for tomorrow. Most of the work involves waiting - a perfectly good reason to create, stitch and sew. To make the cheese take a good quality, clean cloth and place in a bowl. Add 5500g to 1kg (1lb - 2.2lb) of natural, pot-set yoghurt and a little chilli salt. I use mineral rock salt and flakes of chilli made from drying our excess in the wood-fired oven last season. Once dried and crushed the flakes are added to the salt. This time I'm also adding dill (dried, about half a teaspoon). Mix gently then hang the cloth to drain over the bowl for 6-8 hours or overnight. After about 4 hours or so I take the cloth down, cut the cheese mix through the centre to turn the dry sides inwards, and the wetter middle to the outer and re-hang. The whey can be used in cooking or (in my view at least) collected and frozen over several cheese making days then defrosted and used to dip cotton fabric in readiness for eco-dyeing. Simply dip, drain and hang to dry. Back to the cheese ...  it can be used like labna. We roll small balls in chopped herbs, drizzle with olive oil and store in the refrigerator. They are said to last up to two weeks like this ... but I wouldn't know about that.

Creative Strength Training - Summer Camp

In addition to Jane Dunnewold's latest offering - Creative Strength Training - Jane and daughter Zenna are offering a Creative Strength Training Summer Camp - all online through a CST Summer Camp Facebook page. Each week a prompt is set - and participants post (or keep to themselves) a response to the prompt. Week 1 - was sticks; Week 2 - involves some writing and a poem - all offered by Jane. 

Week 2 is a response to words found in a page in a dictionary or newspaper  - from which a poem is written. My words include: portmanteau, facetious, transistor, motel, convenience, compass, isolated and string.

Inspiration at the Tweed Gallery

Visited theTweed Gallery which houses much of  Margaret Olley's home, exactly as it was when she passed her mortal coil. An exercise in creative thinking and developing a response to that environment followed, with 5 hours or so of observation and  discussion. Lots of refreshments at the Gallery Cafe too. I was fascinated by the curtain fabric, the patterns on rugs, cushions and chairs.  At some point the experience became sensory overload - thankfully images provide the opportunity to revisit the space. A wonderful day with my tribe.

Block head

Found myself drawn to The Farmer's Wife Sampler Quilt series as part of discussions with Rebecca Staunton Coffey about our hand dyed and printed fabrics. Each year I commit to one traditional, pieced quilt. This year, TFWQS 1920 and 1930 versions offered 210 blocks between them. I wanted to use our fabric range in a new way.  I've chosen the first few blocks based on either 4-patch or 9-patch appeal and until I'm warmed up, blocks that can be cut using a rotary cutter and easily pieced on the machine.  Drawing up the template is easy and the endless possibilities for dark /light combinations and pattern orientation are worthy of consideration prior to cutting.

Drafting on paper helps record the various shapes and sizes and work out the best method for construction.  It is also worth considering the fabric design as it presents itself on individual squares and triangles. The small square below needed to be cut into a half square triangle. Before cutting, I looked at  how I could make the most of the existing pattern / marks on the two resultant pieces. Sometimes it makes a difference and others not. In this case, using the opposite diagonals would have resulted in a lot of pattern on one half triangle, with almost nothing to show on the other. Really enjoying this year's challenge.

Taiwan International Quilt Exhibition - one week to go!

Detail of my entry to the Taiwan International Quilt Exhibition as part of the Broadstrokes group of artists. It has been a privilege to be part of this talented group, many of whom are en route to Tainen, Taiwan for the exhibition opening next week. This year's theme required artists to consider loss of species (represented by the log cabin blocks of varying sizes) shot (quite literally) by my neighbour and butcher Kane. You can see the peppering as well as the rather large hole after being blasted by a 12 gauge.  I felt it more than demonstrated the point that the fastest loss of species from the planet is related to the activity of humans. The restorative element of the brief was achieved by suturing the wounds - a healing and hopeful aspect.

Collage workshop fun

A great four days running mini workshops in collage and stitch at the Brisbane Stitches and Craft Show.  Using our hand dyed and printed fabrics as a base, we created cords, motifs, thread skeins and paper prints for exercises in design, colour, contrast and scale - sharing laughter and creative fun!  Thanks everyone!

Lichen dye

Discovered this fungus / lichen at the base of some old stumps we are digging out. Now brewing in a sunny spot of the studio for a few weeks, along with another jar of avocado skins  - for thread dyeing to be used on my soul stitch project.