Tuesday, 21 June 2016

Inspiration at the Tweed Gallery

Visited theTweed Gallery which houses much of  Margaret Olley's home, exactly as it was when she passed her mortal coil. An exercise in creative thinking and developing a response to that environment followed, with 5 hours or so of observation and  discussion. Lots of refreshments at the Gallery Cafe too. I was fascinated by the curtain fabric, the patterns on rugs, cushions and chairs.  At some point the experience became sensory overload - thankfully images provide the opportunity to revisit the space. A wonderful day with my tribe.

Sunday, 12 June 2016

Block head

Found myself drawn to The Farmer's Wife Sampler Quilt series as part of discussions with Rebecca Staunton Coffey about our hand dyed and printed fabrics. Each year I commit to one traditional, pieced quilt. This year, TFWQS 1920 and 1930 versions offered 210 blocks between them. I wanted to use our fabric range in a new way.  I've chosen the first few blocks based on either 4-patch or 9-patch appeal and until I'm warmed up, blocks that can be cut using a rotary cutter and easily pieced on the machine.  Drawing up the template is easy and the endless possibilities for dark /light combinations and pattern orientation are worthy of consideration prior to cutting.

Drafting on paper helps record the various shapes and sizes and work out the best method for construction.  It is also worth considering the fabric design as it presents itself on individual squares and triangles. The small square below needed to be cut into a half square triangle. Before cutting, I looked at  how I could make the most of the existing pattern / marks on the two resultant pieces. Sometimes it makes a difference and others not. In this case, using the opposite diagonals would have resulted in a lot of pattern on one half triangle, with almost nothing to show on the other. Really enjoying this year's challenge.

Friday, 22 April 2016

Taiwan International Quilt Exhibition - one week to go!

Detail of my entry to the Taiwan International Quilt Exhibition as part of the Broadstrokes group of artists. It has been a privilege to be part of this talented group, many of whom are en route to Tainen, Taiwan for the exhibition opening next week. This year's theme required artists to consider loss of species (represented by the log cabin blocks of varying sizes) shot (quite literally) by my neighbour and butcher Kane. You can see the peppering as well as the rather large hole after being blasted by a 12 gauge.  I felt it more than demonstrated the point that the fastest loss of species from the planet is related to the activity of humans. The restorative element of the brief was achieved by suturing the wounds - a healing and hopeful aspect.

Thursday, 24 March 2016

Collage workshop fun

A great four days running mini workshops in collage and stitch at the Brisbane Stitches and Craft Show.  Using our hand dyed and printed fabrics as a base, we created cords, motifs, thread skeins and paper prints for exercises in design, colour, contrast and scale - sharing laughter and creative fun!  Thanks everyone!

Monday, 14 March 2016

Lichen dye

Discovered this fungus / lichen at the base of some old stumps we are digging out. Now brewing in a sunny spot of the studio for a few weeks, along with another jar of avocado skins  - for thread dyeing to be used on my soul stitch project. 

Sunday, 13 March 2016

Sunday sundye

Glorious sunshine and a perfect day to use sun dyes.  Today is basic - wet cloth, paint like there's no one watching with a foam brush in each hand and musical accompaniment of your choosing. Scatter found objects over the wet surface. Wait until the cloth is dry then remove objects - heat set and wash as per instructions.

Saturday, 12 March 2016

Monoprints - wrapped up

Getting into the rythm of printmaking  - a quick exercise is to get out the student acrylics and the gel or glass plate and play on a roll of brown paper. Several metres later and there are heaps of ideas popping around  - crumple and recrumple to change the structure of the paper, fuse to a felt background and stitch, cut out pieces at random and applique or fuse to other pieces, cut into strips then weave before fusing to another background and stitch. Overprint. If you dont like a section - overprint with another design. If nothing else, unique wrapping paper for 2016.